What type of editing does my manuscript need and how much will it cost?

This article first appeared in NZ Author Magazine, Summer 2019 issue. Confused about the difference between developmental editing, manuscript assessment, line editing, and proof reading? Want to know what kind of editing your manuscript needs and how much it might cost? Read on!

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Advice from Karl Ove Knausgaard

When writing my recent memoir, I often asked myself: Where on the line do you stand between honoring the truth and capitulating to satisfy the terms of someone you love? What are you prepared to sacrifice in order to tell your story? Karl Ove Knausgaard answers these questions and more, in an intimate master class at the University of Auckland.

This article was originally published in NZ Author magazine, Issue 315, Spring 2018. Thanks to the NZSA and editor Tina Shaw.

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Flash Fiction: A Machete, a Plastic Bag and Mum’s Gumboots

When my dear friend Lisa and I were out walking early one morning, the sun peeping over the horizon across the water over by the sugar factory, she told me a story from her childhood, about how it felt being a first generation Chinese New Zealander. Her story became this story, which was long-listed for the 2017 NZ National Flash Fiction Day competition. So, this one’s for you Lisa.  A warm congratulations to all the winners, and thank you to Flash Frontier, where this story first appeared. 


Lisa Joe, Baylys Beach, 2017

A Machete, a Plastic Bag and Mum’s Gumboots

by Caroline Barron

For years, the click and yawn of an opening car boot filled me with dread. As kids, when we drove over the Pae-koks to Foxton in Dad’s Telstar – brand new, white, with a maroon racing stripe and burgundy velour upholstery – and Mum saw a creek flanked by pillows of green, or an autumnal field blooming with white puffs, she’d shout, ‘Pull over! Pull over!’ in her Chinese-Kiwi accent. Dad always did, relishing the gravel skid before yanking the boot latch.

We loved to help Mum who, out there, marched the roadside in her gumboots, a different Mum to the apron-wearing one tending the bamboo steamer at home. This Mum wielded a machete with super-heroine ease, lopping off bunches of watercress and tugging dusky-gilled mushrooms from dank soil, pressing them into plastic bags my sister and I held open. Back at the car she’d wrap the watercress in The Evening Post to later boil for soup. The mushrooms she’d sauté with garlic and bacon and serve on rice.

After I turned eight, I refused to help. She’d yell for Dad to pull over. I’d groan and fold my arms. It might have been okay in Guangzhou, but here Kiwis didn’t scavenge for food on the roadside.


Yesterday, I walked across the school field holding my daughter’s hand. She pointed at the line of shade hugging the fence.

“Mum, come!”

My high heels sucked in and out of the soggy ground. I glanced around. It will only take a minute, I thought. She crouched down, gathering her skirt beneath her knees – a family of white mushrooms dotted the grass – and lifted a spongy edge to peer beneath.

“Brown gills!” she said. “We can eat these ones.”

I reached into my handbag for the plastic bag I always carried, and held it open.

Ocean Bay: A literary take on travel writing

“Ocean Bay” appeared in the New Zealand Society of Authors magazine, NZ Author, Autumn issue, 2017. With thanks to Nadine Rubin Nathan.

The story placed second in the AA Directions Magazine Award for the Best New Travel Writer category of the Cathay Pacific Travel Media Awards 2016. Judge, Steve Braunias, made me blush with his rather lovely comments: ‘Second place was “Ocean Bay.” The writer describes retracing an ancestor’s footsteps in Port Underwood, in Marlborough. It plays with past and present, and brings them together in this very unusual and also very beautiful depiction of place. Again, what a superb piece of writing.’Page 1Page 2Page 3Page 4